The Post Colonial Perverse Critiques of Contemporary Philippine Culture Volume I The “names” of this work’s two volumes are the words of its title parsed into two—a heuristic apportioning of pieces that means very little, inasmuch as these words, as they conceptually operate in these texts, implicate and interpenetrate each other so thoroughly that they are practically synonymous.
J. Neil C. Garcia earned his AB Journalism, magna cum laude, from the University of Santo Tomas in 1990; MA in Comparative Literature in 1995, and PhD in English Studies: Creative Writing in 2003 from the University of the Philippines Diliman.He is currently a Professor of English, creative writing and comparative literature at the College of Arts and Letters, University of the Philippines.The comparative essays analyze poetry from across the postcolonial anglophone world in relation to postcolonialism and modernism, fixed and free forms, experimentation, oral performance and creole languages, protest poetry, the poetic mapping of urban and rural spaces, poetic embodiments of sexuality and gender, poetry and publishing history, and poetry's response to, and reimagining of.He is the author of numerous poetry collections and works in literary and cultural criticism, including The Sorrows of Water (2000), Kaluluwa (2001), Performing the Self: Occasional Prose (2003), The Garden of Wordlessness (2005), Misterios and Other Poems (2005), and Postcolonialism and Filipino Poetics: Essays and Critiques (2003).
He is the author of numerous poety collections and works in literary and cultural criticism, including The Sorrows of Water (2000), Kaluluwa (2001), Performing the Self: Occasional Prose (2003), and Postcolonialism and Filipino Poetics: Essays and Critiques (2003).
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He is the author of numerous poetry collections and works in literary and cultural criticism, includingThe Sorrows of Water (2000),Kaluluwa (2001), Performing the Self: Occasional Prose (2003), The Garden of Wordlessness (2005), Misterios and Other Poems(2005), and Postcolonialism and Filipino Poetics: Essays and Critiques(2003).
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J. Neil C. Garcia finished his BA Journalism (magna cum laude) in the University of Santo Tomas in 1990. He is currently teaching creative writing and comparative literature at the University of the Philippines, Diliman, where he also serves as an associate for poetry in the Institute of Creative Writing.
He is the author of numerous poetry collections and works of cultural criticism, including Postcolonialism and Filipino Poetics: Essays and Critiques. “First published thirteen years ago, Philippine Gay Culture was immediately recognized as a landmark in the study of male homosexuality in modern Asia and especially in the continent’s former colonies.
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With the upcoming UP Press eBook Sale (to celebrate the UP Lantern Parade), here’s a guide for those of you who are interested in, but still aren’t sure about how to buy or read ebooks. The guide will cover buying for ebook readers, tablets, and MAC and PC (for those who are running desktops or laptops, but aren’t familiar with how to install and use readers on their devices yet).
Panelists and Screeners. THE DIRECTOR-IN-RESIDENCE Excelling both in prose and poetry, JAIME AN LIM has received various awards such as the Don Carlos Palanca Memorial Award for fiction in English, short story for children, and essay. While he was a graduate student in Indiana University in the U.S., he was given the Ellis Literary Award for Best Graduate Fiction and the Academy of American.
Garcia’s latest critical work, Postcolonialism and Filipino Poetics: Essays and Critiques, is a revised version of his very provocative Ph.D. dissertation. The book examined Filipino poetics from the perspective of post-colonialism consisting of the author’s own critical and personal reflections on poetry-both as he “reads” and “writes” it.